CV

KATIE ELIZABETH MARTIN

Missoula, MT 59801

406-250-7028

katie.elizabeth.martin@gmail.com

EDUCATION

University of Southern California, Los Angeles, CA

Doctor of Musical Arts, Vocal Performance 2011- 2015

Emphasis in Music Education, Opera Directing and Arts Leadership

Honors: Head Teaching Assistant for 2013-2014 Academic Year

Teaching Assistant 2012-2013

Student Instructor Award 2011-2012

Pi Kappa Lambda

Applied Teacher: Elizabeth Hynes


University of Southern California, Los Angeles, CA

Master of Music, Vocal Performance 2008-2010

Honors: Pi Kappa Lambda Master’s Award

4.0 GPA

Student Instructor: Individual Voice Lessons

Applied Teacher: Elizabeth Hynes and Rod Gilfry

University of Montana, Missoula, Montana

Bachelors of Music, Vocal Performance 2003-2007

Honors: Graduated Magna cum Laude

Outstanding senior award: selected by music faculty from among 2007 graduating class

Applied Teacher: Esther England


TEACHING EXPERIENCE

College of Visual and Performing Arts, University of Montana

Adjunct Assistant Professor of Voice, 1.0 and .8 FTE 2017-present

Course of Instruction:

Vocal Pedagogy

  • Instruct Undergraduate and Graduate Students

  • Incorporate current anatomical/physiological aspects of phonation along with practical teaching application

Foreign Language Diction

  • Italian, English, Spanish, French, German

  • Utilize the International Phonetic Alphabet

Advanced Diction

  • Refinement of language skills for advanced and graduate level students

  • Incorporates tutoring for undergraduate students to gain practical listening and speaking experience

Voice Techniques

  • Instruction geared towards future music educators, all instruments

  • Combines practical hands-on singing and individual feedback, mock teaching opportunities, pedagogical approaches for the voice, foreign language diction introduction, and vocal anatomy

Applied Lessons

  • Music Majors (MUSED, BA, BM) BFA Musical Theater Majors, and Music Minors

  • Beginning through advanced

  • Classical, folk, popular and musical theater genres




The Greatbatch School of Music, Houghton College

Assistant Professor of Voice 2015-2017

Courses of Instruction:

Foreign Language Diction

  • English, Italian, Spanish, French and German

  • Texts: Diction for Singers, Joan Wall and Castel’s Manuel of Spanish Lyric Diction

Vocal Pedagogy (Spring 2017)

  • A one-semester course including vocal anatomy/physiology, music education theories and practices, and hands-on teaching experience

  • Text: Basics of Vocal Pedagogy, Clifton Ware

Music History II

  • Late Baroque through Romantic era

  • Text: A History of Western Music Burkholder/Grout/Palisca (Norton)

Applied Lessons

  • Graduate and Undergraduate

  • Plan and prepare students for recitals, opera productions, competitions and workshops/yaps

  • Students progressed to final rounds in both undergraduate and graduate level at NATS competition

  • Student participation in summer YAP programs

Additional duties:

  • Performances for/in school functions, recruiting events and faculty recitals

  • Academic Advising

  • Scholarship and entrance auditions for prospective undergraduate and graduate students

  • Distribution of scholarship monies to current students

  • Regularly participate in service functions (I.E. Music faculty meetings, all faculty meetings, etc)

  • Grading/Evaluating student juries and recitals


University of Southern California

Lecturer of Vocal Pedagogy, Adjunct Spring 2015

Courses of Instruction:

Directed Research Advisor in Vocal Pedagogy, Doctoral Level

  • Advise and direct doctoral pedagogy research project for a

Doctor of Musical Arts candidate.

Comparative Vocal Pedagogy, Graduate Level

  • Historical approaches and methodologies to vocal pedagogy

  • Vocal anatomy and physiology review and incorporation

  • Created an original syllabus, including text selection

  • Thornton School of Music Graduate students

Vocal Pedagogy Practicum, Undergraduate Level

  • Approaches and methodologies to teaching applied voice

  • Incorporates both the field of traditional vocal pedagogy and music education

  • Practical, hands on approach and activities

  • Created an original syllabus, including all reading selections from both vocal pedagogy and sources in music education, psychology, and sociology

  • Thornton School of Music Undergraduate students






Fullerton College 2014

Adjunct Voice Professor

Instruct Intermediate Voice Class

Individual Voice Instructor

Duties:

  • Work with a culturally diverse student and faculty population

  • Prepare students for a degree in vocal performance

  • Instruction in Italian song literature and IPA

  • Prepare Students for end of semester Juries

  • Prepare Students for transfer to four year colleges (auditions, applications)

  • Instructional focus on classical repertoire and Bel Canto technique

  • Service activities: Jury panel and audition panel


University of Southern California

Head Teaching Assistant 2013-2014

Instruct Intermediate Voice Class

Individual Voice Instructor (Non-Majors and Minors)

Administrative Duties:

  • Act as a Liaison between student teachers, voice faculty and department chair

  • Assign instruction load to student and faculty

  • Organize and produce midterm and final vocal recitals for non-major and minor voice students

  • Assist in updating policies for the Teaching Assistant Handbook

  • Monitor and advise Teaching Assistants throughout the semester



University of Southern California

Teaching Assistant 2012-2013

  • Instruct Beginning Voice Class

  • Develop a personalized syllabus and curriculum based off of University requirements and policies

  • Responsible for grading all written and performance/participation based work

  • Developed an interactive Blackboard website to facilitate student involvement and understanding

  • Individual Voice Instructor (Non-Majors and Musical Theater Minors)

  • Majority of students taught were returning students from previous semester, as per student request.


University of Southern California

Student Instructor 2009-2010, 2011-12

Individual Voice Instructor (Non-Majors and Minors)

  • Provide private instruction to a wide variety of voice types, styles and skill levels

  • Prepare students for a midterm and final performance

  • Develop a syllabus that includes written assignments specifically designed to develop student’s analytical skills by applying core concepts learned in lessons to live examples.

  • Responsible for the evaluation of student’s written work and performance progress


Katie Martin Voice Studio 2010-Present

  • Styles include: Classical, pop (including original artists), jazz, and musical theater

  • Ages 13-50, all voice types


Lark Conservatory, Glendale, CA 2010-2011

Private Voice Instructor

  • Provide private voice instruction at an Armenian-American Music School

  • Ages 10-50 male and female, diverse repertoire




ADDITIONAL SCHOLARLY EXPERIENCE AND EDUCATION


SCHOLARLY ACTIVITIES

Publication: On the Importance of Lullabies and Infant Development Fall 2014

Journal: Perspectives: Journal of the Early Childhood Music & Movement Association Volume 9 No. 4 2014 , Peer Reviewed


Poster Presentation: Lullabies and Infant Development 2014

College Music Society Seattle Summit Conference: Focus on Music, Science and Society


DIRECTING/PRODUCING

Voices of Vets: Missoula, Montana 2014

Producing, directing and performing in an original concert featuring classical vocal music combined with filmed interviews of local veterans. Interviews were personally conducted and edited.

Brigadoon: University of Southern California 2013

Directing the Chamber Opera of USC (COUSC), a student run, faculty mentored program intended to provide undergraduate students performance experience

Une soire avec les Six: Boston Court Theater, Pasadena, 2013

An original collaborative co-directed project through the USC directing program

Conceived of and directed a script centered around the songs of les Six

Directed a scene from The Rake’s Progress: In class project 2012

Anne Truelove’s “How Strange” Aria; Tom & Anne Duet; Baba, Tom and Anne Trio


ADJUDICATION and OUTREACH

State Music Festival, Montana, 2020

MTNA West Central Competition

State Music Festival, Montana, 2019

District Music Festival, 2018

Flathead High School Choral Visit (Guest lecturer and performer) 2018

KAMTA Adjudicator, 2018

NATS Adjudicator 2017, 2018, 2019

  • Western Montana District

NATS Adjudicator, 2016

  • Western New York Finger Lakes District

Kalispell Music Teachers Association Fall Voice Festival, 2010


LANGUAGES

Studied: French, German and Spanish

Completed a Reading Course in German

Lived, studied and performed in Vienna, Austria for three months

Perform in and teach English, German, Russian, Spanish, Italian and French diction



ADDITIONAL AREAS OF INTEREST

Arts Leadership: The survival of opera in a changing world

Related Research:


Is Opera still for the Elite?

Using the sociological theories of Pierre Bourdieu as a lens to view opera, social class, and cultural consumption

Alternate Regimes: Redefining the Identity of Opera in America

Applying resilience theory to opera, showing that the art is possibly nearing the end of its life cycle, and making suggestions/examples for a new identity of opera in America.


Pedagogy: The need to explore different approaches to vocal pedagogy instruction to better equip young teachers for the realities of their career.


Related Research: Children and Private Voice Lessons? : A review of the literature

A literature review that seeks to recommend whether or not private voice lessons are appropriate to prepubescent children.

MEMBERSHIPS/PROFESSIONAL INVOLVEMENT


NATS Treasurer, 2017-Present (Western Montana)

Pi Kappa Lambda-Houghton College Treasury/Secretary 2017

College Music Society (Presented in 2014, Seattle)

National Opera Association


ACADEMIC AWARDS AND SCHOLARSHIPS

2013-2014

Head Teaching Assistant, USC

KAMTA Scholarship (Kalispell Area Music Teachers Association)


2012-2013

Teaching Assistant, USC

KAMTA Scholarship


2011-2012

Student Instructor

Jeanette MacDonald Operetta Scholarship

KAMTA Scholarship


2009-2010

Pi Kappa Lambda Master’s Award

Student Instructor

KAMTA Scholarship



2008-2009

KAMTA Scholarship


2006-2007

Outstanding Senior Award

Esther England Excellence in Voice

KAMTA Scholarship


2005-2006

Esther England Excellence in Voice

Chapter AM-PEO Scholarship

Montana Baker Grant

KAMTA Scholarship


2004-2005

Esther England Excellence in Voice

KAMTA Scholarship


2003-2004

KAMTA Scholarship

High School Honors Tuition Waiver

PERFORMANCE EXPERIENCE


FULL ROLES

ROLE

WORK

COMPOSER

COMPANY

LOCATION

DATE


Drusilla


L’incoronatzione di Poppea


Monteverdi


University of Southern California


Los Angeles,CA


November 2013

Mrs.Coyle

Owen Wingrave

Britten

University of Southern California

Los Angeles,CA

2012

Countess

Le Nozze di Figaro

Mozart

Montana Lyric Opera Company

Missoula, MT

2011

Miss Wordsworth

Albert Herring

Britten

University of Southern California

Los Angeles, CA

2009

Donna Anna Cover

Don Giovanni

Mozart

University of Southern California

Los Angeles, CA

2009

Fresquita

Carmen

Bizet

Glacier Symphony Orchestra & Chorale

Kalispell, MT

2008 (Concert)

Alms Collector

Suor Angeleca

Puccini

University of Montana

Missoula, MT

2007

Susanna

Le Nozze di Figaro

Mozart

University of Montana

Missoula, MT

2006


SCENES

ROLE

WORK

COMPOSER

COMPANY

LOCATION

DATE


Violetta

Anne Truelove

La Traviata

The Rake’s Progress

Verdi

Stravinsky

University of Montana

Reparatory Opera Company

Missoula, MT

Pomona, CA

2017

2013

Pamina

Die Zauberflöte

Mozart

University of Southern California

Los Angeles, CA

2009

Margo

The Desert Song

Romberg

University of Southern California

Los Angeles, CA

2009

Fiordilidgi

Cosi fan tutti

Mozart

University of Montana

Missoula, MT

2007

Concepcion

L’heure espangole

Ravel

University of Montana

Missoula, MT

2007

Micaëla

Carmen

Bizet

University of Montana

Missoula, MT

2007

Julie

Carousel

Rodgers &Hammerstein

University of Montana

Missoula, MT

2006

Yum Yum

Mikado

Gilbert and Sullivan

University of Montana

Missoula, MT

2005


Large and Chamber Ensemble

VOCAL PART

WORK

COMPOSER

COMPANY

LOCATION

DATE


Soprano Soloist

Soprano

Knoxville Summer of 1915

Der Hirt auf dem Felsen

Barber

Schubert

UofM Symphonic Winds

Chamber Music Montana

UofM Campus

UofM Campus

2021

2019

Soprano Soloist

Places we can no longer go

Mackey

UfoM Symphonic Winds

UofM Campus

2018

Soprano Soloist

Words of Love

Moberly

USC Wind Ensemble

USC Campus, Los Angeles, CA

2013

Soprano Soloist

Kata Markon

Mark Weiser (USC Faculty)

Church Ensemble

Glendale, CA

2013

Soprano Soloist

Requiem

Mozart

University of Montana

Missoula, MT

2005


SELECTED CHORAL ENGAGEMENTS

VOCAL PART

WORK

COMPOSER

COMPANY

LOCATION

DATE


Sister St. Charles

Dialogues of the Carmelites

Poulenc

University of Southern California

Los Angeles, CA

2013

Soprano, Small Ensemble

Christmas Ensemble

Various

USC: Annual Dickens Dinner Fundraiser

Los Angeles, CA

2011

Soprano

Die Fledermaus

Strauss

Center Stage Opera

Riverside, CA

2010

Soprano

Die Zauberflöte

Mozart

The University of Montana

Missoula, MT

2005

RECITALS AND OTHER PERFORMANCE ENGAGEMENTS-SELECTED

Numerous appearances on collaborative recitals and fundraisers

Recitals premiering or performing new music, especially of fellow USC colleagues


Dreams and Pilgrimages

Works by Rachmaninoff, Barber and Ravel February 2020

Love? February, 2018

Featuring repertoire by all contemporary American composers


Divine Love: A lecture recital on Messiean’s Poèmes Pour Mi March 1, 2015

A lecture recital highlighting the interaction of Messiaen’s faith with

his poetic illustration of marriage


Voices of Vets September,2014

A concert recognizing veterans through music and film.

Featuring filmed interviews of local veterans.

Vocal music on subjects of WWII and 9/11

Partnered with a local non-profit for veterans


Picturing America: Songs on American Themes by American Composers April 2014

A program celebrating American culture and composers

Featured Works: Vignettes: Letters from George To Evelyn Alan Smith

Old American Songs (selections): Copland

Songs from Letters: Larsen

Commission USC composer to write a set based off of my grandmother’s poetry


The Good Song: Songs of the late 19th, early 20th Century February 2013

Tre Canzoni Trecentesche: Casella

La Bonne Chanson: Fauré

Mädchenblumen: Strauss

Trois Chanson: Ravel

INTERNATIONAL AND FESTIVAL EXPERIENCE

Songfest Professional Program 2010

Vienna Program 2006

Lived in Vienna and toured many other parts of Europe and Eastern Europe as part

of the University of Montana’s Concert Choir for three months.

Engaged in both choral and solo workshops and master classes.


PERFORMANCE AWARDS

MTNA Young Artists Competition Finalist, Toronto 2007

Metropolitan Opera National Council Regional Auditions Encouragement Award 2006

University of Montana Young Artist Competition, First Place 2006

University of Montana Concerto Aria Competition, First Place 2006

NATS competition, University of Montana, First Place 2005


COMMUNITY INVOLVEMENT

Volunteer work as a soloist at Our Savior Lutheran Church in Westchester, CA